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Because most desired works are anchored in a trajectory of icons throughout history, anecdotes and personalities who have raised them to the rank of cultural...
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The Cardigan by Agnès b.

“I wanted a sweatshirt, open in front, with lots of pressure so that it would look like clothing from the Renaissance, children’s clothing for big people or the other way around.” The story behind Agnès b. is first and foremost about giving oneself the liberty to do what one wants. The origins of the cardigan...

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The Sculptural Fur Booties By Fendi

Fur and Fendi: this is the story of the Fendi sisters. From the very beginning, they approached fur in an incongruous way; by bringing the formality down a notch, the girls also made it a bit less dramatic. When they called out to the young Karl Lagerfeld in 1965, it was to give the label an incomparable style....

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The Lady Dior and Andy Warhol

The collection was thought up like an inspiration notebook. This partnership between The Andy Warhol Foundation for the Visual Arts and Dior culminates in delicate pieces that, through their pure lines, transcend these retrogressive Warhol sketches from the 50s. This is how a recurring theme with modern traits ends up on the Lady Dior: a high heel....

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Alexander Wang’s Baggy Chic

Alexander takes his logomania from the gimmicky 90s. Just like he did during this decade, he slaps his own name all over his creations. But with candor. Subtly worked, his W.A.N.G. signature slips onto a number of pieces in the collection; on classics revisited in a desirable modernity, or even an accessible one, his fingerprint...

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Alaïa Dresses At The Palais Galliera

But let’s get back to Azzedine Alaïa! Like a sculptor – he studied sculpture at the Ecole des Beaux-Arts in Tunis – he knows how to reconstruct, like a true artist, a woman’s body. How to correct its imperfections. Highlight its qualities and realities. Allude to its most desirable aspects, the sensuality in each curve...

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The Chanel Dress of the Collection Paris-Edimbourg on Astrid Bergès-Frisbey

Astrid Berges-Frisbey wore an off-white wool and lace dress, look 76, from the Paris-Edimbourg Collection, at the closing ceremony of the 39th Deauville American Film Festival. Chanel Make-up: for the face Les Beiges N°20, Le Blush Crème Présage; for the eyes the mascara Le Volume De Chanel Noir ; for the lips Rouge Coco Amant.