Category: Ready To Wear

Home / Fashion & accessories / Ready To Wear
smallpaulpoiret.jpg
Post

The Confucius Coat by Paul Poiret

A true wunderkind, pampered by a mother and three attentive sisters, the young Paul exhibited an incorrigible leaning towards fantasy from a young age. After earning his baccalaureat and dabbling as a delivery boy for an umbrella manufacturer – to break his pride at his father’s behest – he was hired as an assistant by...

sans_titre_8_1.jpg
Post

The Shirt, a Classic Touching the Myth

The history of this garment – whose name derives from the Latin word camisa, a garment which is worn on the skin – dates back to ancient Egypt. It seems to have drawn its origin in a piece of Egyptian fabric pierced by a single hole for the head: the Kalasiris. In coton, linen, wool or in...

smallpolo.jpg
Post

The Ralph Lauren Polo

Ralph Lifschitz, later to be known as Ralph Lauren, grew up in the Bronx. Ralph would very soon become familiar with the ready-to-wear universe as a glove salesman at famed New York clothier Brooks Brothers. He was 16 when, eager to put his name on his own creations, he began to design ties. Diametrically opposed...

smalllemarcel.jpg
Post

Spotlight on the Tanktop

First appearing in Paris in the latter half of the 19th century, the tanktop became a bonafide fashion item throughout the postwar decades – assuredly sensual. Marlon Brando sported a simple white one in 1951 in “A Streetcar Named Desire”, very lightweight and tight-fitting, particularly indented both in front and behind the neck, giving tenfold...

smallisabm.jpg
Post

The Isabel Marant Skirt

At Isabel Marant’s fashion house, everything is a matter of independence. To concoct her collections, the artist only uses what she deems essential; Isabel creates what she wants to wear. And next summer, Marant is seeing things through a modern art lens; she’s borrowing the graphic work of Miró and Tàpies all while changing the...

small2-dvf.jpg
Post

The Wrap Dress by Diane Von Furstenberg

In January 1970, she slipped three copies of her modern and sensual dress into a trunk, and went knocking on the door of the high fashion priestess herself, Diana Vreeland, legendary director of American Vogue. “She didn’t come to see me with an idea,” recalls Diana Vreeland. “She came with a global offer, a product,...