La Machine de Turing by Benoit Solès, Directed by Tristan Petitgirard

Location: Musée Jacquemart-André

Dates: September 10, 2021 to January 24, 2022

Prices: From €10

In the fall of 2021, the Jacquemart-André Museum will celebrate the creative genius of Sandro Botticelli (1445 – 1510) and the activity of his workshop, by exposing some forty works of this refined painter accompanied by some paintings of his Florentine contemporaries on which Botticelli had a special influence. The career of Botticelli, who became one of the greatest artists of Florence, bears witness to the influence and profound changes that transformed the city under the Medici.
Botticelli is undoubtedly one of the most famous painters of the Italian Renaissance despite the part of mystery that still surrounds his life and the activity of his studio. Tirelessly, he alternated unique creation and serial production completed by his many assistants.
The exhibition will show the importance of this workshop practice, a laboratory full of ideas and training, typical of the Italian Renaissance. She will present Botticelli as a creator, but also as an entrepreneur and trainer.
Following a chronological and thematic order, the itinerary will illustrate Botticelli’s personal stylistic development, the links between his work and the culture of his time, as well as the influence he himself exerted on the Florentine artists of the Quattrocento.
The exhibition will benefit from loans from prestigious institutions such as the Louvre Museum, the National Gallery of London, the Rijksmuseum of Amsterdam, the Vatican Museums and Libraries, the Uffizi, the Galleria Sabauda of Turin, the Galleria dell’Accademia and the National Bargello Museum in Florence, the Gemäldegalerie in Berlin, the Alte Pinakothek in Munich and the Städel Museum in Frankfurt.

Date: from 21 September 2021 to 15 November 2021

Location: 38 Rue de Montpensier, 75001 Paris

Prices:
CARRÉ OR: 48 €
CATEGORY 1: 44 €
CATEGORY 2: 33 €
CATEGORY 3: 24 €
CATEGORY 4: 17 € (REDUCED VISIBILITY)

December 1897, Paris.

Edmond Rostand is not yet thirty but already has two children and a lot of anxiety. He has not written anything for two years. So, in despair, he proposes to the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. The only problem was that it had not yet been written. Ignoring the whims of the actresses, the demands of his Corsican producers, the jealousy of his wife, the love affair of his best friend and the lack of enthusiasm of everyone around him, Edmond starts writing this play that nobody believes in. For the moment, he only has the title: Cyrano de Bergerac.