{"id":9975,"date":"2015-02-11T20:23:01","date_gmt":"2015-02-11T19:23:01","guid":{"rendered":"http:\/\/icon-vrai.loc\/2015\/02\/11\/the-bustier-dress-haute-couture-spring-summer-2015-by-dior\/"},"modified":"2020-10-21T00:12:47","modified_gmt":"2020-10-20T22:12:47","slug":"the-bustier-dress-haute-couture-spring-summer-2015-by-dior","status":"publish","type":"post","link":"https:\/\/www.icon-icon.com\/en\/the-bustier-dress-haute-couture-spring-summer-2015-by-dior\/","title":{"rendered":"The Bustier Dress Haute Couture Spring\/Summer 2015 by Dior"},"content":{"rendered":"
\u201cTime periods are confused.\u201d Raf Simons has long refused to take inspiration from the past, with the pretext that nostalgia for a time gone by cannot satisfy a designer\u2019s thirst for a future to be forged. And yet here he is, today recognizing all the beauty that the past century held. The artist has undertaken the task of grafting the romance of the 50s onto the experimentation of the 60s and the liberation of the 70s. The end result? Monsieur Dior\u2019s female flower all dressed up with taste and dissonance. For each garment, the most delicate adornments embellish the most modern of fabrics, all superposing on top of one another in a complex technique that reveals the incredible work of this Avenue Montaigne mainstay\u2019s ateliers.<\/div>\n
The \u201cfemale flower\u201d through the prism of Raf Simons-esque aesthetics is slipped into a bustier dress with a supported waist and perfect geometry. By playing with volumes, the Belgian designer creates a hallucinogenic fusion between two of the brand\u2019s strongest themes: the \u201ctailleur bar\u201d and the flower that, at his behest, is laden with pop references and technological experiments. The flower finds itself cut in sequins and embroidered in a sort of gimped lace, in a rich and deep navy blue. No doubt about it, the excellence of these haute couture workshops has been pushed to new limits. With the idea of adornments as architecture, the garment\u2019s finishings get even more graphic. In the end, it\u2019s haute couture itself that is pushed to new limits.<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cTime periods are confused.\u201d Raf Simons has long refused to take inspiration from the past, with the pretext that nostalgia for a time gone by cannot satisfy a designer\u2019s thirst for a future to be forged. And yet here he is, today recognizing all the beauty that the past century held. The artist has undertaken…<\/p>\n","protected":false},"author":3,"featured_media":9972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[270,271,16050,16111,16112,2085,16113,1466,697,15532],"class_list":["post-9975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion-accessories","tag-christian-dior","tag-dior","tag-dior-catwalk","tag-dior-fashion-show","tag-dior-hate-couture","tag-fashion-week-paris","tag-hautre-couture","tag-paris","tag-raf-simons","tag-spring-summer-2015"],"acf":[],"yoast_head":"\nThe Bustier Dress Haute Couture Spring\/Summer 2015 by Dior - ICON-ICON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.icon-icon.com\/en\/the-bustier-dress-haute-couture-spring-summer-2015-by-dior\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Bustier Dress Haute Couture Spring\/Summer 2015 by Dior - ICON-ICON\" \/>\n<meta property=\"og:description\" content=\"\u201cTime periods are confused.\u201d Raf Simons has long refused to take inspiration from the past, with the pretext that nostalgia for a time gone by cannot satisfy a designer\u2019s thirst for a future to be forged. And yet here he is, today recognizing all the beauty that the past century held. 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