“I love English aesthetics. In a way, I feel that they approach mine: a pretty chaos, a powerful mixture of past and present,” explains Alessandro Michele. Further consolidating the brand’s neo-traditional grammar, the label’s artistic director is leaving no doubt about his miracle formula: an explosion of color and prints, Wes Anderson-esque looks, British outspokenness, and the psychedelic vibes of the 60s and beyond. This is Gucci’s new DNA.
Among the silhouettes that went down the runway last week at the heart of Westminster Abbey, one dress in particular grabbed attention. Tailored like a pop art stain glass mosaic, peppered with a touch of Italian baroque, this is one of the mainstay pieces in the Cruise 2017 collection. With its festive colors and lustrous excess, the dress is, no exaggeration, one of the “it” pieces for the coming season.
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